Artist Credit: Kenta Miyakawa
ASAI in ASIA: Past/Present/Future/Now
October 2-4, 2025
ASAI in ASIA: Past/Present/Future/Now
October 2-4, 2025
Look into the past Illustration techniques. How they help your creative vision.
See what is currently developing in Architectural Illustration.
Talk about the furture of Architectural Illustration.
Develop your current tools and meet industry experts.
Change is coming to the architectural visualization community at a fast pace. Often, no longer are architectural illustrations an image of how buildings will look once completed, like finished pieces of artwork. Increasingly, there has been a merging of the design process with iterative visualizations every step of the way for the designers, the clients, and the public to understand the proposed building or landscape. With AI, designers can unlock new imaginative ideas, previously never considered by the human mind. It is a new form of sketching, but with nearly instant rendered images. What are the possibilities and what are the limitations of the current image-based AI? These are some of the themes that we will discuss at the 2025 ASAI conference in Tokyo. We will also have specialists explaining how they create architectural illustrations using Grasshopper, VRay, Enscape, Forma, Sora, and Runway. Attendees are asked to bring their own laptop loaded with any of the above software.
Another theme that will be discussed at the conference is imagination and image making. An architectural illustrator can go beyond illustrating someone else`s designs. We are not just a “hand”, we are also a “mind”. As architectural illustrators we can not only imagine future worlds, but also to give them an image for others to understand and discuss. Let other specialists calculate numbers, politicians make speeches, we illustrators are in the unique position of giving form to our imagined future. Our illustrations can be used to generate discussion and give emotion to other people`s calculations and words. At our conference we will have speakers discuss how they imagine and create images of future worlds. Come and be inspired by their real time drawing right in front of you.
A third theme of ASAI 2025 is bringing art and style back to computer renderings. In the quest to achieve photorealistic architectural visualizations, have images become emotionless? Is there a market for architectural renderings that have a unique style which help create desire and extends the proposed building`s branding? Also, what do architects and decision makers look for in architectural illustrations for competitions?
Arturo Tedeschi is an Italian architect and computational designer internationally renowned for his sculptural and visionary approach combined with research on advanced design methods, materials and fabrication technologies. His use of digital technologies blurs the line between disciplines and emphasizes the semantic and emotional values of objects.
Since 2004 Arturo Tedeschi has complemented professional practice with personal research on algorithmic design, focusing on relationships between architecture and new design tools. His work includes techniques such as Algorithms-Aided Design, CNC milling, robotic milling, 3D printing, artificial intelligence, virtual reality…
George Hull is a Conceptual Designer and Art Director for the film industry. He started his career at Lucas Film’s Industrial Light & Magic and his earliest credit was for oscar winner FORREST GUMP. He then quickly climbed to be a lead Visual Effects Art Director working on films like MISSION IMPOSSIBLE, JURASSIC PARK 2, STAR WARS: The EMPIRE STRIKES BACK and RETURN OF THE JEDI Special editions.
After 6 years at ILM George left to form George Hull Design. As an independent he is always pursuing the most creative stage of a film’s visual development. As one of Hollywood’s leading conceptual designers, George specializes in creating unique and imaginative worlds…
Dan Stine is the Director of Design Technology at Lake|Flato Architects, a top-ranked firm based in San Antonio, Texas. He also leads the firm’s Investigations program, an internal research initiative. A registered architect (WI), Dan is an educator, author, blogger, and international speaker. He teaches graduate architecture students at North Dakota State University (NDSU) and has authored 19 textbooks, widely used in academia. His works include two books on architectural hand sketching and the top-selling Autodesk Revit book in North America. Dan is commissioned to write blog posts for Chaos Enscape and attended Autodesk University – London with them as an expert customer in 2019.
Kenta Miyakawa, winner of the AIP 38
Hugh Ferris Memorial Prize, will show how the Nikken Illustration Studio uses AI in the creation of architectural illustrations.
Frank Costantino has practiced architectural illustration for over fifty years, and his firm has collaborated with preeminent architectural, design, and development firms throughout the United States, Canada, Europe and Japan. His commissions – for a stellar and consistent clientele – include AIA Gold Medalists Cesar Pelli, Moshe Safdie, I.M. Pei, Peter Bohlin, Joseph Esherick, Benjamin Thompson, and Jose Luis Sert; also eighteen AIA Firm Award winners, among others.
His diverse output of illustrations has been exhibited nationally and internationally, most notably at The Art Institute of Chicago, New York’s Museum Of Modern Art, and the Urban Center, and the Octagon Museum in Washington, D.C.. His drawings are included in the permanent collections of The Art Institute of Chicago, Washington’s Library of Congress, the San Francisco Museum of Modern Art, the Skirball Cultural Center, LA, the Tchoban Foundation Museum, Berlin, and the Boston Athenaeum…
Tomoyuki Tanaka; architect, professor at Waseda University
Numerous exhibitions including participating in “Civil Engineering Exhibition” in 2016 at 21_21 DESIGN SIGHT. He also held a solo exhibition at the Contemporary Art Museum, Kumamoto in 2019. Main publications include “Hyper Architectural Perspective Drawings: 26 Hand-Drawing Techniques for Manipulating Spatial Shapes” (Gakugei
Shuppansha, 2021).
We are partnering with Nikken Sekkei to present an event that will inspire current and future leaders in the industry.
Plan to Visit Expo 2025 Oasaka Kansai after the Conference Oct 6th. Not included in conference ticket price.
Info on additional speakers, sketch tour, exhibition opening and accommodation options will be made available soon.
More travel and accommodation coming soon. Email hq@asai.org for a list of suggested hotels.
929 W. Sunset Blvd #21-204
St. George, UT 84770
Founded in 1986 in the United States, the ASAI is comprised of professional illustrators, architects, designers, teachers, students, corporations, and anyone engaged in the serious pursuit of architectural illustration. The central purpose of ASAI remains the improvement of architectural drawing worldwide.
Cookie | Duration | Description |
---|---|---|
cookielawinfo-checkbox-analytics | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
cookielawinfo-checkbox-functional | 11 months | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
cookielawinfo-checkbox-necessary | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
cookielawinfo-checkbox-others | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
cookielawinfo-checkbox-performance | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
viewed_cookie_policy | 11 months | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |