ASAI in ASIA: Past/Present/Future/Now
October 1st -3rd, 2025
How can traditional Illustration help your creative vision.
What are the current developments in Architectural Illustration.
What lies in the future for Architectural Illustration.
Develop your current tools and meet industry experts.
Arturo Tedeschi is an Italian architect and computational designer internationally renowned for his sculptural and visionary approach combined with research on advanced design methods, materials and fabrication technologies. His use of digital technologies blurs the line between disciplines and emphasizes the semantic and emotional values of objects.
Since 2004 Arturo Tedeschi has complemented professional practice with personal research on algorithmic design, focusing on relationships between architecture and new design tools. His work includes techniques such as Algorithms-Aided Design, CNC milling, robotic milling, 3D printing, artificial intelligence, and virtual reality.
アルトゥーロ・テデスキ
Tomoyuki Tanaka is an architect and a professor at Waseda University.
He has participated in numerous exhibitions, including “Civil Engineering Exhibition,” at 21_21 DESIGN SIGHT, in 2016. He also held a solo exhibition at the Contemporary Art Museum, Kumamoto in 2019. His work has appeared in many major publications, including “Hyper Architectural Perspective Drawings: 26 Hand-Drawing Techniques for Manipulating Spatial Shapes” (Gakugei Shuppansha, 2021).
2016年「土木展」（21_21 DESIGN SIGHT）など多数の展覧会に参加。2019年には熊本市現代美術館で個展も開催。主な著書に『ハイパー建築パースドローイング 空間形状を操る26の手描きテクニック』（学芸出版社、2021年）など多数。
Silvia Tossici is a Project Director at Squint/Opera, a Journey studio, bringing her creative vision and leadership to all aspects of production. As a trained architect, experienced 3D artist and filmmaker, Silvia develops creative treatments, storyboards, directs shoots, presents ideas to clients and guides the creative team. She loves the craft of creating content with narrative and has delivered major projects like Toyota Woven City, 1221 Avenue of the Americas for Rockefeller Group and the Taikoo Place Showroom for Swire in Hong Kong.
シルヴィア トシチ
シルヴィア トシチは、JourneyのスタジオであるSquint/Operaのプロジェクト・ディレクターであり、クリエイティブなビジョンとリーダーシップをプロダクションのあらゆる側面で発揮している。建築家、3Dアーティスト、映像作家として経験を積んだシルヴィアは、クリエイティブなトリートメント、ストーリーボードの作成、撮影のディレクション、クライアントへのアイデアの提示、及びクリエイティブ・チームの指導者でもある。物語性のあるコンテンツ制作をこよなく愛し、トヨタ・ウーブン・シティ、ロックフェラー・グループの1221アベニュー・オブ・ジ・アメリカズ、香港のスワイヤーのタイクー・プレイス・ショールームなどの大型プロジェクトを手がけてきた。
宮川 健太 Kenta Miyakawa is the winner of the AIP 38 Hugh Ferris Memorial Prize. His presentation will show how the Nikken Illustration Studio uses AI in the creation of architectural illustrations.
George Hull is a conceptual designer and art director for the film industry. He started his career at Lucas Film’s Industrial Light & Magic, and his earliest credit was for the Oscar-winning film Forrest Gump. He then quickly climbed to the position of lead visual effects art director on films like Mission Impossible, Jurassic Park 2, Star Wars: The Empire Strikes Back and Return of The Jedi Special editions.
After 6 years at ILM George left to form George Hull Design. As an independent he is always pursuing the most creative stage of a film’s visual development. As one of Hollywood’s leading conceptual designers, George specializing in creating unique and imaginative worlds including the cinematography, settings, and vehicles that live within them. Recently George worked as a Senior Conceptual Designer on the highly acclaimed DUNE as well as BLADE RUNNER 2049, STAR WARS IIV, GUARDIANS OF THE GALAXY VOL.2, THE CLOUD ATLAS, V for VENDETTA ,the science fiction epic The MATRIX: Reloaded, Revolutions, Resurrections. George is currently working on DUNE PART 2. To see more of his work please go to www.ghull.com.
ジョージ ハル
김헤라 Hera Kim is a creative director, AI designer, and florist, based in Seoul, South Korea. She is the founder of TINKERTAILOR Studio, where she merges art, nature, and technology. She is an AI prompt engineer and art director for projects in Paris, Dubai, and Milan. She has collaborated with Christie’s, & Other Stories, SpaceNK, Charles & Keith, and the Royal New Zealand Ballet. Recognized as one of the top 10 AI designers in 2023, Hera has received awards from the Korean Ministry of Culture and the Maekyung NFT Digital Art Contest.
ヘラ キム
韓国ソヘラ キムを拠点に活動するクリエイティブ・ディレクター、AIデザイナー、フローリスト。アート、自然、テクノロジーを融合させたTINKERTAILOR Studioの創設者。AIプロンプトエンジニア、アートディレクターとしてパリ、ドバイ、ミラノのプロジェクトに参加。クリスティーズ、アンド・アザー・ストーリーズ、スペースNK、チャールズ＆キース、ロイヤル・ニュージーランド・バレエ団とコラボレーション。2023年のAIデザイナー・トップ10に選出され、韓国文化省およびMaekyung NFTデジタルアート・コンテストで受賞。
Dan Stine is the Director of Design Technology at Lake|Flato Architects, a top-ranked firm based in San Antonio, Texas. He also leads the firm’s Investigations program, an internal research initiative. A registered architect, Dan is an educator, author, blogger, and international speaker. He teaches graduate architecture students at North Dakota State University (NDSU) and has authored 19 textbooks, widely used in academia. His works include two books on architectural hand sketching and the top selling Autodesk Revit book in North America. Dan is commissioned to write blog posts for Chaos Enscape and, with them, attended Autodesk University in London, as an expert customer in 2019.
ダン スタイン
ダン・スタインは、テキサス州サンアントニオを拠点とするトップクラスの設計事務所、レイク|フラート・アーキテクツのデザイン・テクノロジー・ディレクター。また、社内の研究イニシアチブであるInvestigationsプログラムのリーダーでもある。登録建築家であるダンは、教育者、作家、ブロガー、国際的な講演者でもある。ノースダコタ州立大学（NDSU）で建築学の大学院生を教え、19冊の教科書を執筆。彼の作品には、建築ハンドスケッチに関する2冊の本と、北米で最も売れているAutodesk Revitの本が含まれる。また、ダンはChaos Enscapeのブログ記事の執筆を依頼され、彼らと共に2019年にロンドンのAutodesk Universityにエキスパートカスタマーとして参加した。
Gordon is a freelance architectural writer and editor. He is a 36-year member and a past president of ASAI. As an architectural illustrator, his work has appeared in exhibitions internationally. His writing has been published widely in books and periodicals. His current editing work includes the AIP catalogs and the emag The Right Angle Journal. Gordon’s professional memberships include the Ontario Association of Architects, the Royal Architectural Institute of Canada College of Fellows and the Massey College Quadrangle Society. He is a recipient of the OAA Medal of Da Vinci and an ASAI Lifetime Achievement Award.
ゴードン グライス
ゴードン グライス はフリーランスの建築ライター、編集者。ASAIには36年間会員でおり元会長。建築イラストレーターとして国際的な展覧会に作品を出展。執筆活動は書籍や定期刊行物に幅広く掲載されている。現在は、AIPカタログやemag The Right Angle Journalの編集に携わっている。ゴードンは、オンタリオ州建築家協会、カナダ王立建築家協会、マッセイ・カレッジ四角形協会の会員でもある。OAAダ・ヴィンチ・メダル、ASAI生涯功労賞受賞。
Frank’s diverse output of illustrations has been exhibited nationally and internationally, most notably at The Art Institute of Chicago, New York’s Museum Of Modern Art, and the Urban Center, and the Octagon Museum in Washington, D.C. His drawings are included in the permanent collections of The Art Institute of Chicago, Washington’s Library of Congress, the San Francisco Museum of Modern Art, the Skirball Cultural Center, LA, the Tchoban Foundation Museum, Berlin, and the Boston Athenaeum.
フランク コスタンティーノ
Coming Soon…
ComingSoon…
Born in Tokyo in 1984, Kiyo Hasegawa is a distinguished contemporary Nihonga artist renowned for integrating traditional Japanese painting techniques, such as Japanese paper, mineral pigments, and Japanese ink, with innovative abstract expressions. She completed her Master’s degree at Tama Art University, specializing in Nihonga. Her work has been showcased in major exhibitions, including Shin Japanese Painting: Revolutionary Nihonga at the Pola Museum of Art. In recognition of her contributions to the art world, she was honored as Harper’s Bazaar Woman on the Frontier in 2023. In 2025, she held a solo exhibition at Art Fair Tokyo, Japan’s largest international art fair, where she was represented by A Lighthouse called Kanata. Demonstrating her commitment to Japanese aesthetics, she founded KEIGAN ART in 2024, an online platform introducing Japanese artists to an international audience.
和紙、岩絵具、墨などの伝統的な日本画の技法と、斬新な抽象表現との融合で知られる現代日本画家。多摩美術大学大学院修士課程修了。主な展覧会に「シン・ジャパニーズ・ペインティング -革新の日本画」ポーラ美術館など。アート界への貢献が認められ、2023年にはハーパーズ バザー「Woman on the Frontier」に選出。2025年、日本最大の国際アートフェアであるアートフェア東京で個展を開催。2024年、KEIGAN ART株式会社を設立。
— a five-minute walk from Nikken Takebashi Headquarters, and close to the Takebashi and Otemachi subway stations.
KKR Hotel reservations can not be made more than three months in advance.
—a seven-minute walk from Nikken`s Takebashi office, and not too far from Tokyo Station and the Tokyo Imperial Palace.
—in the bustling Shinjuku neighborhood, and a 20-minute subway ride from the Nikken Takebashi Office. Easy to get to from Narita Airport using the Narita Express.
We are partnering with Nikken Sekkei to present an event that will inspire current and future leaders in the industry.
Plan to extend your visit to include Expo 2025 Osaka Kansai after the Conference, on Oct 6th—Unfortunately, not included in conference ticket price.
Info on additional speakers, sketch tour, exhibition opening and schedule will be made available soon.
More travel and accommodation above. Email hq@asai.org for a list of suggested hotels.
Founded in 1986 in the United States, the ASAI is comprised of professional illustrators, architects, designers, teachers, students, corporations, and anyone engaged in the serious pursuit of architectural illustration. The central purpose of ASAI remains the improvement of architectural drawing worldwide.
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