Artist Credit: Kenta Miyakawa

ASAI in ASIA: Past/Present/Future/Now
October 2-4, 2025

Architecture in Perspective
International Conference

Days
Hours
Min
Sec

ASAI in ASIA: Past/Present/ Future/Now

Tentative - October 2 - 4, 2025

Past

Look into the past Illustration techniques. How they help your creative vision.

Present

See what is currently developing in Architectural Illustration.

Future

Talk about the furture of Architectural Illustration.

Now

Develop your current tools and meet industry experts. 

Change is coming to the architectural visualization community at a fast pace. Often, no longer are architectural illustrations an image of how buildings will look once completed, like finished pieces of artwork. Increasingly, there has been a merging of the design process with iterative visualizations every step of the way for the designers, the clients, and the public to understand the proposed building or landscape. With AI, designers can unlock new imaginative ideas, previously never considered by the human mind. It is a new form of sketching, but with nearly instant rendered images. What are the possibilities and what are the limitations of the current image-based AI? These are some of the themes that we will discuss at the 2025 ASAI conference in Tokyo. We will also have specialists explaining how they create architectural illustrations using Grasshopper, VRay, Enscape, Forma, Sora, and Runway. Attendees are asked to bring their own laptop loaded with any of the above software.

Another theme that will be discussed at the conference is imagination and image making. An architectural illustrator can go beyond illustrating someone else`s designs. We are not just a “hand”, we are also a “mind”. As architectural illustrators we can not only imagine future worlds, but also to give them an image for others to understand and discuss. Let other specialists calculate numbers, politicians make speeches, we illustrators are in the unique position of giving form to our imagined future. Our illustrations can be used to generate discussion and give emotion to other people`s calculations and words. At our conference we will have speakers discuss how they imagine and create images of future worlds. Come and be inspired by their real time drawing right in front of you.

A third theme of ASAI 2025 is bringing art and style back to computer renderings. In the quest to achieve photorealistic architectural visualizations, have images become emotionless? Is there a market for architectural renderings that have a unique style which help create desire and extends the proposed building`s branding? Also, what do architects and decision makers look for in architectural illustrations for competitions?

Arturo Tedeschi

Arturo Tedeschi
Computational Design

Arturo Tedeschi is an Italian architect and computational designer internationally renowned for his sculptural and visionary approach combined with research on advanced design methods, materials and fabrication technologies. His use of digital technologies blurs the line between disciplines and emphasizes the semantic and emotional values of objects.

Since 2004 Arturo Tedeschi has complemented professional practice with personal research on algorithmic design, focusing on relationships between architecture and new design tools. His work includes techniques such as Algorithms-Aided Design, CNC milling, robotic milling, 3D printing, artificial intelligence, virtual reality…

George Hull

George Hull Design
-

George Hull is a Conceptual Designer and Art Director for the film industry. He started his career at Lucas Film’s Industrial Light & Magic and his earliest credit was for oscar winner FORREST GUMP. He then quickly climbed to be a lead Visual Effects Art Director working on films like MISSION IMPOSSIBLE, JURASSIC PARK 2, STAR WARS: The EMPIRE STRIKES BACK and RETURN OF THE JEDI Special editions.

After 6 years at ILM George left to form George Hull Design. As an independent he is always pursuing the most creative stage of a film’s visual development. As one of Hollywood’s leading conceptual designers, George specializes in creating unique and imaginative worlds…

Dan Stine

Lake| Flato Architects
-

Dan Stine is the Director of Design Technology at Lake|Flato Architects, a top-ranked firm based in San Antonio, Texas. He also leads the firm’s Investigations program, an internal research initiative. A registered architect (WI), Dan is an educator, author, blogger, and international speaker. He teaches graduate architecture students at North Dakota State University (NDSU) and has authored 19 textbooks, widely used in academia. His works include two books on architectural hand sketching and the top-selling Autodesk Revit book in North America. Dan is commissioned to write blog posts for Chaos Enscape and attended Autodesk University – London with them as an expert customer in 2019.

Kenta Miyakawa

Nikken Sekkei

Kenta Miyakawa, winner of the AIP 38

Hugh Ferris Memorial Prize, will show how the Nikken Illustration Studio uses AI in the creation of architectural illustrations.

株式会社日建設計、プレゼンテーション部のCGチームに所属。宮川健太。
2007年に日建設計入社。
学生時代にCGにめぐりあい、建築CGの道を志す。美しさを目標に素早くアウトプットしていくCGクリエイター。
建築ビジュアライゼーションを中心に、アニメーションやマルチメディア制作などのプロダクション業務に携わり、多くの設計業務ならびにコンペ等を経験。
新カンプノウコンペやドバイOne Za’abeelなどの多くのプロジェクトに参画。
多くの受賞歴もあり、3dsoft、realtimerenderやAIを駆使し、日建設計CGの品質を高め、ビジュアルにプラスアルファの意識をもって、現在もCGクリエイターとして活躍

Frank Costantino

F.M.C. Cos.

Frank Costantino has practiced architectural illustration for over fifty years, and his firm has collaborated with preeminent architectural, design, and development firms throughout the United States, Canada, Europe and Japan.  His commissions – for a stellar and consistent clientele – include AIA Gold Medalists Cesar Pelli, Moshe Safdie, I.M. Pei, Peter Bohlin, Joseph Esherick, Benjamin Thompson, and Jose Luis Sert; also eighteen AIA Firm Award winners, among others.

His diverse output of illustrations has been exhibited nationally and internationally, most notably at The Art Institute of Chicago, New York’s Museum Of Modern Art, and the Urban Center, and the Octagon Museum in Washington, D.C..  His drawings are included in the permanent collections of The Art Institute of Chicago, Washington’s Library of Congress, the San Francisco Museum of Modern Art, the Skirball Cultural Center, LA, the Tchoban Foundation Museum, Berlin, and the Boston Athenaeum…

Tomoyuki Tanaka

Waseda University
田中智之 たなかともゆき
建築家・早稲田大学教授

Tomoyuki Tanaka; architect, professor at Waseda University

Numerous exhibitions including participating in “Civil Engineering Exhibition” in 2016 at 21_21 DESIGN SIGHT. He also held a solo exhibition at the Contemporary Art Museum, Kumamoto in 2019. Main publications include “Hyper Architectural Perspective Drawings: 26 Hand-Drawing Techniques for Manipulating Spatial Shapes” (Gakugei
Shuppansha, 2021). 

We recommend to plan to at least arrive on the afternoon of October 2nd to be able to register at 1:00 pm and network at the sketch tour at 3:00 pm. The conference will end at 7:00 pm October 4th.

We are partnering with Nikken Sekkei to present an event that will inspire current and future leaders in the industry.

Plan to Visit Expo 2025 Oasaka Kansai after the Conference Oct 6th. Not included in conference ticket price.

Info on additional speakers, sketch tour, exhibition opening and accommodation options will be made available soon.

More travel and accommodation coming soon. Email hq@asai.org for a list of suggested hotels.

Nikken - Takebashi Office

photo credit: Vincent Hecht

Nikken - Iidabashi Office

Nikken - Iidabashi Office (PYNT)

Illustration by the Nikken Illustration Studio

Nikken - Iidabashi Office

photo credit: Koji Fujii [TOREAL]

join us!

Days
Hours
Min
Sec

Architecture in Perspective
International Conference

The Future is Now: Different Perspectives on Compelling Architectural Visualization

Thank you to our AIP Past Sponsors!

CONFERENCE REGISTRATION

Sorry. This form is no longer available.

ASAI

929 W. Sunset Blvd #21-204
St. George, UT  84770

About ASAI

Founded in 1986 in the United States, the ASAI is comprised of professional illustrators, architects, designers, teachers, students, corporations, and anyone engaged in the serious pursuit of architectural illustration. The central purpose of ASAI remains the improvement of architectural drawing worldwide.

 

Connect With Us

© American Society of Architectural Illustrators. All rights reserved. | Privacy policy